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Kishin Shinoyama. John Lennon & Yoko Ono. Double Fantasy
August 26, 2020![Rocky-The-Complete-Films_cover](https://wilsonbookgallery.com/wp-content/uploads/2020/12/Rocky-The-Complete-Films_cover.jpg)
Rocky. The Complete Films.
December 17, 2020![Daniel-Kramer.-Bob-Dylan.-A-Year-and-a-Day_9 Daniel-Kramer.-Bob-Dylan.-A-Year-and-a-Day_9](http://wilsonbookgallery.com/wp-content/plugins/revslider/public/assets/assets/dummy.png)
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Daniel Kramer. Bob Dylan. A Year and a Day
Collector’s Edition (No. 201–1,765)
Numbered and signed by Daniel Kramer
Daniel Kramer’s classic Bob Dylan portfolio captures the artist’s transformative “big bang” year of 1964-65. Through vast concert halls, intimate recording sessions, and the infamous transition to electric guitar, nearly 200 images offer one of the most mesmerizing photographic series on any recording artist and a stunning document of Dylan and rock’n’roll history.
Highlights include the Lincoln Center’s Philharmonic Hall concert with Joan Baez; the Bringing It All Back Home recording sessions; and the now-famous concert at Forest Hills, when Dylan’s controversial transition to electric guitar exemplified his constant, cryptic state
of becoming. As much a document of a seminal period of rock’n’roll history as of Dylan himself, the pictures also feature such compelling friends and collaborators as Joan Baez, Johnny Cash, Allen Ginsberg, and Albert Grossman.
A prized edition for any serious Dylan fan, this is at once an intimate and evocative testimony to a seminal photographer, to a particular point in time, and to a particular, mysterious artist at the moment his career went global.
TASCHEN; hardcover in a clamshell box, letterpress-printed chapter openers with tipped-in photographs, two different paper stocks, and three fold-outs, 12.3 x 17.3 in., 288 pages; IN STOCK: $1,250 No. 1,035
Daniel Kramer’s classic Bob Dylan portfolio captures the artist’s transformative “big bang” year of 1964-65. Through vast concert halls, intimate recording sessions, and the infamous transition to electric guitar, nearly 200 images offer one of the most mesmerizing photographic series on any recording artist and a stunning document of Dylan and rock’n’roll history.
Highlights include the Lincoln Center’s Philharmonic Hall concert with Joan Baez; the Bringing It All Back Home recording sessions; and the now-famous concert at Forest Hills, when Dylan’s controversial transition to electric guitar exemplified his constant, cryptic state of becoming. As much a document of a seminal period of rock’n’roll history as of Dylan himself, the pictures also feature such compelling friends and collaborators as Joan Baez, Johnny Cash, Allen Ginsberg, and Albert Grossman.
A prized edition for any serious Dylan fan, this is at once an intimate and evocative testimony to a seminal photographer, to a particular point in time, and to a particular, mysterious artist at the moment his career went global.
TASCHEN; hardcover in a clamshell box, letterpress-printed chapter openers with tipped-in photographs, two different paper stocks, and three fold-outs, 12.3 x 17.3 in., 288 pages; IN STOCK: $1,000 No. 1,035
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Dollars as Devotion
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Literary
Listens
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Dollars as Devotion
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